Albums of the Year

After coming up with this list, I realized that I didn't listen to as much new music as I thought I had.  The few new albums that I did listen to were some pretty solid albums.  Like every year, there were those disappointments, a new face, and those that always release a decent album.  In my opinion, this year was the most unpredictable.  The bands that surprised me the most were Swedish House Mafia and Keane.  Two bands that I was always aware of, but never gave a proper listen to.  Had I made my list longer, Swedish House Mafia would be ranked a#11.  

And here we go...

Albums of the year 2012, part II

Without further ado, here comes the final part of my list.

#10 Django Django
Django Django

Having received rave reviews from just about everyone, this album became increasingly harder to avoid. Needless to say, when I finally gave in, I didn't regret it one bit. There's always something fascinating and refreshing about debuting indie bands, and Django Django certainly made quite an entrance.

#9 Born and Raised
John Mayer

When you rate Born and Raised, it all comes down to whether you like folk music or not. Thus, it's gonna be either your most favourite Mayer's album or the least. Considering it's in my top ten, it must be clear where I stand on this. (My review)

#8 Blunderbuss
Jack White

After an admirable 22-year-long career in music, dozens of projects and collaborations, everyone's favourite guitarist finally set off to release his solo debut. And its outstanding moments by far outweigh the few flaws. One of the bussiest and most prolific men in the bussiness hardly ever lets his fans down, even though it may have taken some time for people like me to appreciate the record. I'm only wondering if Jack White will ever run out of the tricks up his sleeve.

#7 Come of Age
The Vaccines

The Vaccines delivered again. Come of Age is arguably and quite surprisingly an even better album than their massively hyped debut. (My review)

#6 Handwritten
The Gaslight Anthem

Despite the lack of progress, this is still a rather fantastic output. It's been always very exciting for me to witness the band's continual rise to fame, and frankly, I hope it won't stop anytime soon. (My review)

#5 Lonerism
Tame Impala

A fantastic psychedelic album, that grabs you and doesn't let go. Expect no stoner music, though, this is a very focused and elaborate set of songs. It was yet another big surprise for me and will be an important entry in every respectable magazine's guide to 2012's essential albums. (My Review)

#4 Celebration Rock
Japandroids

It's hard to resist the raw energy of this album. I may be overly enthusiastic, but it is thanks to bands like Japandroids, that rock'n'roll will never die. (My review)

#3 Given to the Wild
The Maccabees

Compelling third studio album from the UK indie rockers, that clearly shows their musical maturity and a great deal of ambition, which don't go unfulfilled. (My review)

#2 Some Nights
fun.

It's increasingly difficult to avoid cheap puns, but the band's name really says it all. For me, this has been the feel-good album of 2012. I would always come back to it and be amazed by the sheer talent on display. Despite a few missteps along the way, it's simply a great record and I'm glad fun.'s singles dominated the airwaves this year. (My review)

#1 Battle Born
The Killers

Ever since the release, there was little doubt this mammoth of an album would eventually end up seizing the top spot of my list. Considering the long break, we might have doubted whether The Killers still got what it takes to dominate the world. Thankfully, the answer to that is a resounding "yes". Great hooks, grand statements, perfect execution... An instant classic. (My review)

Older albums revisited: Meltdown

I discovered Ash through Kerrang, back in the day when I still thought that magazine was worth following. They actually featured a useful article, which was a guide to the essential bands of an average present-day rock fan. Among all the AC/DCs, Metallicas, Placebos and Jimmy Eat Worlds, there was a band I hadn't heard of before but started to love them straight away. (As a matter of fact, that guide is still on Kerrang's webstite.)

As clichéd as it may sound, in the following years, Ash became one of the bands that helped to form my taste in music. I used to spin their records endlessly. From the sophomore album 1977, which approprietly kicks off with the sound of a TIE fighter passing by, to their last, much darker, Twilight of the Innocent. Because above all, the band has always stayed unbelievably consistent throughout the years. You won't run into many weaker songs in their discography. Instead, you are bound to find lots of brilliant ones.

Shining Light is the band's biggest selling single to date and was also covered by Annie Lennox. There can be no better invitation into their music...

Free All Angeles might the their most popular album so far, since it contains the phenomenal singles Shining Light and Burn Baby Burn and was their biggest critical success to date. It's most probably the best showcase of Ash's ability to write truly great lovesongs, as well as the tenderness and vulnerability in their music.

Although I treasure all their albums deeply, Meltdown have always remained my favourite. (Or perhaps on par with Free All Angeles, the more I think about it.) It presented a much darker and heavier side of Ash, with the sound infused with even a dash of metal at times. Thankfully however, that doesn't mean their melodic sensibilities got lost in the mix. If anything, the exact opposite thing happened. From the opening title track to the closer Vampire Love, the songs are all killer, no filler. And they're all so damn fun and catchy, with guitar riffs you just can't get out of your head.

Well, I guess I can't praise this band enough. Simply put, I think Ash are one of the most underappreciated and overlooked bands on the planet. They must be shaking hands with Feeder and Idlewild somewhere right now. It's a shame, really, that Ash refuse to release any more albums after Twilight of the Innocent, focusing only on stand-alone singles. Because if those are of any indication, fans would've had much to look forward to.

Thouhgts?

Albums of the year 2012, part I

Another year, another list. Still feels like yesterday when I was writing the last one, and even though I'm twelve months older now, nothing has really changed in my taste in music. For one thing, I haven't heard nearly as many albums as I would like to. I was stuck in the sixties for the bigger part of the year, spinning Beatles' and Byrds' records more often than it would be healthy. Nevertheless, here I am, presenting my end-of-the-year list, I hope you'll enjoy it and will agree with me about at least some of my choices.

For starters, let's begin with a few honorary mentions, albums, that didn't eventually make the cut for one reason or another. First of all, I couldn't but enjoy the usual mayhem of yet another Enter Shikari's album, the genuinely ambitous and ultimately accomplished A Flesh Flood of Colour, or the recommended Angels And Enemies, the sophomore record of the extraordinarily talented Liverpool quintet Sound of Guns. Another notable releases include Young Guns' second studio album, Bones, Yellowcard's Southern Air, perhaps their finest work to date, or the Mercury Prize winning, yet polarizing, An Awesome Wave from the debuting UK art-rockers Alt-J.

Furthermore, US indie rockers The Shins made their long-awaited comeback with the generally well-received Port of Morrow (which, in fact, ended up just one spot shy of my top 20) and Linkin Park reminded us of their existence with Living Things, a much better album, than everyone had anticipated. We also witnessed amazing new releases from rock's greatest legends, such as Bob Dylan (Tempest), Bruce Springsteen (Wrecking Ball), Soundgarden (King Animal) and, of course, Tenacious D (Rize of the Phoenix).

So finally, here comes the top 20:

#20 The 2nd Law

Muse
Let's kick off with what's possibly the most divisive and polarizing album of the year. The least I can say is that most of the negative response Muse did receive after the release was really undeserved. It surely isn't their greatest triumph, but in the end, when you give The 2nd Law enough time and let it sink in, it's well worth the while and almost as much fun as their older work.

#19 Shields
Grizzly Bear

Shields showed us Grizzly Bear's more raw and upbeat side than the largely experimental Veckatimest. However, if it hadn't been for its forth track, the dazzling Yet Again, I probably wouldn't pay much interest either. But this is actually an all-around great record. As it turned out, all I needed was just to spend a little more time with it.

#18 In the Belly of the Brazen Bull

The Cribs

When I finally yielded to all the rave reviews of The Cribs' latest output, I wasn't very impressed at first. But later on, I gave the album a second chance, and it eventually turned out to be quite a grower. It's my yearly dose of distorted guitars and lo-fi indie goodness. For fans of Pavement and early Weezer.

#17 Fragrant World

Yeasayer

While it may have not reached the heights set by their previous album, Odd Blood, it is a very enjoyable listen nonetheless.

#16 Generation Freakshow
Feeder

Good old Feeder, once again making the best use of their biggest assets. If you loved them once, you probably will again. (My review)

#15 The Stars Are Indifferent to Astronomy
Nada Surf

No surprises here. With their seventh studio album, Nada Surf unwaveringly continue to amaze me. I want a new one ASAP, please. (My review)

#14 Vital
Anberlin

Ten years into their career, Anberlin have released their heaviest album to date, and, according to many of their fans, also their best. Vital is definitely a step up from the problematic and slightly repetetive Dark Is the Way..., but personally, I'd still choose "Friendship" or Cities over it any time. Nevertheless, it's always good to see your favourite band going back to their roots and rocking hard.

#13 Strangeland
Keane
A return to form we all had been anxiously waiting for. Keane are back! (My review)

#12 There's No Leaving Now
The Tallest Man On Earth

With Bob Dylan having released 35th studio album after fifty years since his eponymous debut, it's truly remarkable how his legacy continues to inspire musicians all around the globe till this day. As is the case with Kristian Matsson, the Swedish export who performs under the stage name The Tallest Man On Earth. His third studio album has been one hell of a grower for me and with each subsequent listen I cherished it more and more, up to the point when I became pretty much addicted to it.

#11 Jake Bugg
Jake Bugg

Speaking about Dylan... He's one of several people Jake Bugg lists among his influences, along with The Beatles or Oasis. With that being said, it's actually not that surprising Bugg's music sounds like he fell right out of the middle of British invasion. My impressions of the album are still very fresh as I hadn't even heard of it until NME announced their end-of-the-year list about a week ago, but it's been on my playlist constantly ever since. And what an outstanding album it is. Jake Bugg's feat is all the more impressive when you consider he's only eighteen.

Well, that's about it for now. As always, expect the final part to be posted in a week or so. In the meantime, feel free to express your thoughts in the comments.

Tegan and Sara

The latest album from Tegan and Sara, 2009's Sainthood, was just great, plain and simple. So it goes without saying, that I'm pretty excited for their new, seventh full-length, which is due out on January 29, 2013. Here's a music video for the first single, Closer.



On one hand, it is very poppy, with synths and everything, but on the other hand, it still sounds unmistakably like them and the album itself is reportedly very good. Here's to hoping the rumours are right, I can't wait. Your thoughts?

Jake Bugg

After reading NME's top 50 albums of the year, I decided to listen to the bands I had not heard of before.  There was one artist who really stuck out and I have just fallen in love with, and that is Jake Bugg.  His self-titled album was ranked #9 on their list.  The genre is folk/country and to me that is partially right.  His sound reminds me of some oldies and I think that is the main appeal.  It's a sound that has been done, but he adds his own touch to it.  Listen for yourself and let me know what you think.

Here's his music video for, "Two Fingers."

However, I do love the tracks "Seen it All" and "Note to Self."

Doom And Gloom

For anyone who thought "The Stones" were done. This brand new music video, directed by Jonas Åkerlund and starring Noomi Rapace, proves they've still got more energy than most much younger bands. Respect. Meanwhile, their newest compilation album GRRR! debuted at #3 on the UK Albums Chart.

The Hobbit: An Unexpected Journey soundtrack

In honour of the upcoming release of the most anticipated movie of the year, The Hobbit, which premiers in just four days in New Zealand and two weeks later worldwide, I present to you its soundtrack. Well, in case you missed it... Once again, it's being composed, orchestrated, conducted and produced by Howard Shore.

I have already booked my tickets to the midnight screening. The question is, have you? :)

Black Chandelier

In 2009, Only Revolutions not only catapulted Biffy Clyro even higher on the charts than their previous breakthrough album, Puzzle, but it also started my obsession with the band. Their next output, the double album Opposites, comes out on 28 January and my expectation are pretty high at this point. There's a brand new song...



Thoughts? I have no doubt Opposites will be a serious AOTY contender next year.

Lonerism

Few weeks ago, when I was writing about Emitt Rhodes and the uncanny resemblance of his and Paul McCartney's voices, I had no idea I would later discover another John Lennon too. Well, I did, in the person of Kevin Parker, the 26-year-old frontman of an Australian dream pop band, Tame Impala.

Tame Impala came into my attention after the release of their sophomore album, Lonerism, which has been receiving large amounts of praise all over the interwebs and will, without a doubt, be appearing on many upcoming AOTY lists, including mine.

The songs are mostly instrumental, making good use of all the production tools and sound effects a music studio has to offer, and yet, at the same time, they are very guitar-driven. The psychedelic melodies and Parker's ethereal voice only add up to the feeling of a very complex listening experience.



As the album progresses, you start to feel the increasing longing to put on Magical Mystery Tour, but it's also very difficult to let go of such a captivating and absorbing album, that is Lonerism.

Best tracks: Be Above It, Why Won't They Talk to Me?, Feels Like We Only Go Backwards

Jules and Jim

It's been almost a year since Nada Surf released their latest album. Well, it's still great. There is a new music video for one of its best songs.

Presenting: Spacebrother

Spacebrother (Jared Piccone from Innerpartysystem), Shaun Lopez (†††) and STV (Stevie Aiello from Monty Are I) collaborated on a track called "The Antidote." You can check the music video below and download the song here. Its better than nothing, I guess, while Innerpartysystem are on their indefinite hiatus. Thoughts?

Conventional Weapons

Well, for any fan of My Chemical Romance it shouldn't come as a surprise, that after The Black Parade and before recording Danger Days, the band had made and subsequently scrapped a whole another album. Only a few songs from that album eventually made their way on Danger Days, while the rest stayed locked in the drawer. Fans, such as myself, have long been anxiously waiting to hear them one day. And that day has finally come...

The original letter from the band's guitarist, Frank Iero, describing the circumstances upon which the album was ditched can be read here. In the following five months, the band will release two songs each month and I honestly can't wait to hear the rest.

The two songs released so far are in the vein of My Chem's cover of Dylan's Desolation Row for the Watchmen soundtrack. It's pretty much straightforward rock'n'roll and I can't help but to enjoy it. As for this day, I just hope My Chem are far from over and keep releasing great albums. They never fail to blow me away.

Christian Music Corner: The Violet Burning

The Violet Burning is one of those odd cases in music. They prefer not to be called a "Christian Band", and yet, a lot of their music embodies everything that Christian music should be. But at the same time, it's completely different from anything in the worship music genre/scene/whatever. Ever since their debut album way back in 1989, "The Violets", as they're nicknamed, have been putting out powerful music. It's really hard to pin down one or two bands they sound like, so I'll just post a few of my favorites and let you judge for yourself:





This song reminds me of the band Filter. Especially the song "Nice Shot".



And here's a song from their most recent album. Very reminiscent of Smashing Pumpkins, if you ask me!



Of course, the songs I posted were just a drop in the bucket of TVB's music. They have 13 albums, and I've only heard songs from 4 or 5 of those. I'd recommend checking them out, and if one album doesn't "get" you, try another! You may fall in love!

Presenting: Nick Drake

For Marry. I'll just throw in a couple of videos and then write some description later... There's the link to Drake's Wikipedia profile.





My personal favourite from The Royal Tenenbaums soundtrack, Fly from his sophomore album, Bryter Layter.

Emitt Rhodes

Wes Anderson's movies have always such carefully and well selected soundtracks. They usually feature a mix of more and less known artists from the sixties onwards, that go very well with the director's hipster image. The one that stuck with me the most is the soundtrack to The Royal Tenenbaums. Among The Rolling Stones or Paul Simon, it also contains a few hidden gems from musicians I'd never heard of before. Namely Emitt Rhodes, a man considered by many "the one man Beatles".

And that description is actually spot on. His music shows clear influence of the fab four and especially Paul McCartney. Rhodes' eponymous debut album sounds like what fans of Paul wanted to hear from him in the post-Beatles era. In 1970, the album made its way to #29 on Billboard charts.

Rhodes wrote all of the songs on his albums, he played all of the instruments, sang all of the vocals and recorded everything in his own primitive home studio. After three more years, three other records and a conflict with his label, Rhodes stopped performing and releasing new material. Which is a pitty, really. Because his fantastic eponymous album is a true masterpiece of the early 1970s.

I'm Shaking, Best Friends and Hospital Beds

Here are some brand new music videos I enjoyed. First comes a reminder of how great Jack White's solo debut was. And the video is fantastic too, of course...



Funeral for a Friend, on of my all time favourite bands and also one of the best current post-hradcore acts, will release a new album on January 28th. Here's a first glimpse at what it may sound like. Honestly, I can't complain.



Thoughts?

Skyfall

For me, there hasn't been a single more anticipated movie this year than James Bond's 23rd adventure, directed by one of the most interesting current filmmakers, Sam Mendes. Well, the title song by Adele has been out for a few hours and I'd like to know everyone's opinions on it. Although I don't listen to Adele at all, I like the song very much. It reminds me of Golden Eye a lot... Thoughts?

Don't Panic

As much as I love Douglas Adams and Hitchhiker's Guide to the Galaxy, I'm gonna be talking about All Time Low's newest album right now. As you may know, the band is one of my guilty pleasures. Even though, I mostly listen to Bob Dylan, George Harrison and other masters of classic rock nowadays, it doesn't mean I can't still enjoy me some good pop punk/power pop/whatever every now and then. And that time came again, not with Green Day, but with the supposedly less talented and accomplished band. Don't Panic is simply fun and furthermore, you can listen to it on a youtube stream.



After the rather bland Dirty Work, there comes quite a surprising follow-up. Opinions?

Travis

Sometimes, I tend to forget just how great some bands are. Right now, I've realized that with Travis. Somehow, I stumbled upon one of their songs and remembered I hadn't listened to them in a long while. To be honest, it's also partly their fault becuase the Glasgow quartet hasn't released any new material in four years. Fortunately, they plan to release a follow-up to Ode to J. Smith sometime in the first half of 2013.

Battle Born

By the end of 2008, The Killers had released three albums, each one great in its own way. Personally, I've always prefered their sophomore effort to the unbalanced debut. With the excessive amount of massive hooks and infectious choruses, the springsteenesque Sam's Town still remains to be a shining example of a near perfect album to me. Where Hot Fuss loses its breath, Sam's Town shifts  to the second gear and continues to serve one gem after another.

Day & Age, on the other hand, felt at first like a complete misstep. The Killers tossed the guitar-band image away and became a full-time pop act. Many fans were repulsed by the new electronic sound as well as the famously ridiculous "Are we dancer?" line in the lead single, Human. Against all odds, however, Day & Age proved to be a relentless grower of an album and even went on to receive its fair share of well-deserved rehabilitation. Or at least from some people. And with Battle Born, it might be a similar case.

This is a serious contender for the artwork of the year.

Preceding the release, The Killers had promised no small things. They announced a return of rock'n'roll to their music along with the Sam's Town era sound. If that alone hadn't set the expectations incredibly high among their fans, the lead single, Runaways, certainly did. But the band never rests in one place and never makes the same album twice. Thus, anyone expecting Sam's Town Part II will be vastly disappointed. Rather, this is a logical follow-up to Brandon Flowers' solo stuff. The songs might just as well have been taken out of Flamingo and given a full-band treatment. The result sounds bigger and better than ever before.

Every guitar riff, every breakdown, every sound effect, every echo just falls into the right place. As a whole, the record might be the most cohesive work The Killers have ever created. Which is a rather surprising fact, considering how many producers participated in the final product. Furthermore, if it's somehow possible for Brandon Flowers' voice to get even better with time, then it certainly hits its all time high on Battle Born.

Without a doubt, The Killers had a clear vision of what they wanted to say and how they wanted to say it, and released one of the best albums of the year. Battle Born carries a sufficient amount of huge choruses for big stadiums and is still subtle enough for long winter evenings. It's no easy task to pick just a few best songs out of the whole bunch, because every single one of them is captivating in its own distinctive way. With that being said, Battle Born is easily one of the best closing tracks you'll hear this year.

I've spun the album approximately thirty times by now, and still can't get enough of it. That speaks for something.

Best tracks: Runaways, Deadlines and Commitments, Battle Born

The Very Best Of The Byrds

Although I've been a huge fan of The Byrds for over a year, it wasn't until recently, that I have finally "acquired" all of the band's studio albums. This whole time, I was spinning their 1997 best of compilation almost constantly, and it gradually became one of my all time favourite CDs.

Notice the trademark glasses of the frontman Roger McGuinn :)

I haven't grown tired of the band's versions of the Dylan's classics, for which they became famous in the first place, such as their first single ever Mr. Tambourine Man, or Pete Seeger's adaptation of the Book of Ecclesiastes Turn! Turn! Turn! (To Everything There Is a Season) featured prominently on the Forrest Gump soundtrack. The Byrds crafted some of the best covers in the history of rock music. With richer intrumentation and Roger McGuinn's distinctive vocals, they had the ability to take those already brilliant songs to a whole new level. Not to speak about their originals, such as I'll Feel a Whole Lot Better, Chestnut Mare or perhaps the first proper psychedelic rock anthem Eight Miles High.

Not unlike The Beatles, The Byrds introduced a unique amount of talent in each of its members. Most of whom found new success in their subsequent careers and inspired countless musicians of the generations that followed. Roger McGuinn, Gene Clark, David Crosby (of Crosby, Stills, Nash & Young) or Gram Parsons were all highly influential personas in the genres of psychedelic rock, country rock and folk.

The band's unmistakable sound owed a lot to Roger McGuinn's jangly guitar, the twelve-string Rickenbacker. The main reason I was hooked instantly, though, were the ethereal melodies. The Byrds were masters at crafting them, and were true equals to their contemporaries, The Beatles and The Beach Boys.

The CD is a selection of 27 songs from the first five years of the band's career (1965 to 1970) and really doesn't miss anything essential. Although the band's style changed significantly over the course of the years, from blending the folk revival and Beatlesque rock to psychedelia and country, the whole compilation still feels like a cohesive album. I'd even go as far and say that The Very Best of The Byrds is what "1" was to The Beatles. The ultimate collection. I'd strongly recommend it to anyone with at least a vague interest in the '60s music. (Or anyone, who still thinks today's indie folk rock bands do something special.)

Well, I had to get this out of my system. Since the first time I heard Turn! Turn! Turn! to this day, my love and respect for The Byrds have been only growing. They are one of the reasons why the music of the '60s was the best. And that's not an opinion, it's a fact.

Come of Age

What Did You Expect From The Vaccines arrived about a year and a half ago. And although it wasn't all that groundbreaking and innovative in the way of the Arctic Monkeys' or Franz Ferdinand's debuts, it was nevertheless a great fun ride from start to finish.

This time around though, the aim to entertain masses is replaced by musical ambition. The songs are far more sophisticated, both musically and lyrically. The Vaccines have slowed down significantly and settled down for more introspective themes. But that doesn't mean they've lost their natural ability to write extremely infectious tunes. And in the end, Come of Age comes off as the better album.

Most of all, I'm just glad to see that The Vaccines are no one hit wonder. They're obviously here to stay and if they don't lose their creative stride, then we have much to look forward to.

Best tracks: No Hope, Teenage Icon

Yotam Ben-Horin

The frontman of my favourite Israeli pop punk band Useless ID will be releasing his solo debut, Distant Lover, on October 3rd. I really like his vocals so I thought I'd share it with you. It sounds pretty much like a slower version of his band, perhaps with more introspective lyrics. Thoughts?

Pitchfork's People's List

Pitchfork has recently published a reader's list of the best 200 albums in its 15-year-long history. And it actually isn't that bad, considering how much I often disagree with their opinions and reviews. Take a look for yourself, maybe you'll find some of your favourite albums there too. It's no wonder Radiohead seized the first two places, but personally, I'm glad that all three Arcade Fire albums made the cut, as well as Weezer's Pinkerton, The National's last three outputs or Interpol's Turn On The Bright Lights and Antics.

Christian Metal Corner: Tourniquet

I thought I'd do a post about one of my favorite Christian Speed/Thrash/etc Metal bands, Tourniquet. They just released their 8th album, Antiseptic Bloodbath. Here are a few of my favorite songs from their most recent release:
Antiseptic Bloodbath

I love the intro to "Fed by Ravens, Eaten by Vultures". Nice use of cello and violin.
And no Tourniquet album would be complete without a song about their strong stance against animal abuse. Here's their song "86 Bullets" about the killing of an elephant named Tyke. (Wikipedia article here)
At the moment, the entire "Antiseptic Bloodbath" album is uploaded on their YouTube account. I recommend checking it out, and as always, support the artist if you like their music.

Handwritten

The brightest and shiniest moment in the band's career is also their biggest setback. The Gaslight Anthem have already released their best album and I don't see how anything they'll ever produce in the future could top The 59' Sound. With that being said, Handwritten is, of course, a great piece of work in its own right.

Their sophomore effort took the world by surprise with its perfect combination of punk rock tools, retro imagery and Brian Fallon's irresistible growl. All its components were refined to the point of near perfection, supplying listeners with a monthly (at least) dose of nostalgia. American Slang only continued the trend, more or less, and so does Handwritten.

The lyrics have never spoken more urgently and the instruments have never sounded better or bigger, as they reliably send shivers down my spine on several occassions (the ending of Mullholand Drive for example).  Handwritten is no short of grand moments as well as honest statements, with themes being more personal than ever before.

However, there are a few obstacles along the way. Using the same old formula, The Gaslight Anthem couldn't avoid repeating themselves. Not that they even tried to, because this is everything the band is about now. Heart on sleeve, catchy riffs and a great deal of sentiment. You either play along, or you don't. But let's be honest, if they'll stick to what they do so easily come their fifth album, there's a chance the audience may become increasingly indifferent.

Pretended or not, the band's sincerity largely makes up for any of the album's flaws or the lack of progression. And while being a bit ponderous at times, Handwritten is still a fine example of good old rock'n'roll craftsmanship. Within the span of the last three albums, The Gaslight Anthem have gone a long way from being punk rock's best kept secret to having #3 album on Billboard and selling out shows across the ocean. Nevertheless, The 59' Sound will remain the band's defining work for a little longer.

Best tracks: "45", Handwritten, National Anthem, (Blue Dahlia - bonus track)

By the way, I just realized, they might as well call themselves ABBA... :)

Influential albums

This was actually one of the ideas I had on my mind when I was writing the first paragraph of the Nada Surf review back in January. I was planning to do this as a part of the "older albums revisited" section but it was st. tropez who finally forced me to get down to it. It took me three months...

I got into music much, much later than most of you. It wasn't until I discovered the secret of downloading. Yes, big surprise, I'm a pirate. Therefore almost all the albums mentioned here will be from the noughties. I may not listen to many of them anymore, but these records had a tremendous impact on my life and I'll always have a soft spot for them. Let's start with 21 albums that didn't make the final cut. I'm pretty sure I'll revisit them one day too.

AFI Sing the Sorrow
Arcade Fire The Suburbs
Ash Meltdown
Avenged Sevenfold City of Evil
Biffy Clyro Only Revolutions
Blink 182 Enema of the State
The Cure Disintegration
Fightstar Be Human
The Gaslight Anthem The '59 Sound
Idlewild Broken Promises
Journey Escape
The Killers Sam's Town
Lostprophets Liberation Transmission
Muse Black Holes And Revelations
Oasis What's the Story Morning Glory?
Rise Against The Sufferer & the Witness
Saosin Saosin
Silversun Pickups Swoon
Snow Patrol Eyes Open
Story of the Year Page Avenue
Taking Back Sunday Louder Now
Travis The Boy With No Name

The Beatles Help!

I think it's safe to say, that the Beatles have been with me all my life. I digged all of their songs when I heard them on the radio. But it wasn't until the 2009 remaster, which offered a great opportunity, that I checked their whole catalogue out and discovered there's a lot more to love than just the notoriously known singles. I could easily choose any Beatles' album, but I chose Help!, because the first track of the same name was literally the very first song ever to gain the title "my favourite song". Although, I was in elementary school and probably didn't even know any other band at that time. But that's not the point. I love the Beatles, period.

Imagine Dragons

I tried to avoid this band at all costs because I hated the name "imagine dragons". To me, it sounded childish and stupid. But something about the album art provoked me to check out the bands Continued Silence EP, and after one listen I was hooked. The band, hailing from Las Vegas, mix elements of Kings of Leon with moments of city-mates The Killers, Neon Trees, and modern day indie radio bands like fun., Walk The Moon, and Young The Giant. Their major label debut album, Night Visions, is due out September 4th. Below are my two favorite tracks from the EP, "Radioactive" (also heard on the Olympics) and the alt-radio jam "It's Time".

imagine dragons "radioactive"

imagine dragons "it's time"

Far Far Away

I just can't get the chorus out of my head. It's been stuck there for the last few days. One more reason to love the seventies.

Living Things

Well, I'm gonna be leaving for another vacation later today, thus I decided to go ahead and post one last thing before I go as a brief goodbye.

I used to totally adore Linkin Park back in the day. Hybrid Theory and Meteora were the jam and the soundtrack to almost any party we threw as kids. Nu metal craze was at its peak (or at least what everyone thought nu metal was) and there wasn't a single kid who wouldn't like one or two LP songs. But the band's omnipresence couldn't last forever and like any other act, Linkin Park slowly started to lose their momentum. Most significantly some time around Midnight.

Minutes to Midnight was supposed to show the band's poppier, more melodic sensibilities and show they're capable of stretching their sound. Linkin Park wanted to become a bigger band, U2 for the 21st century. And the album itself wasn't all that bad, some of its songs belong to the better part of the band's catalogue. Unfortunately, though, it also marked their transformation into a more mainstream and generic act with songs like Leave Out All the Rest or Shadow of the Day. Besides, collaboration with Micheal Bay certainly didn't help. (Not to speak about Chester Bennington's sideproject Dead by Sunrise, what was that supposed to mean?)

So they did what most actual bands would do. With fear of fading into irrelevance, they tried experimental stuff in order to find a new distinct sound, their own thing. And they succeeded. There were a lot of people who enjoyed the hell out of A Thousand Suns. For me, unfortunately, that album was a complete misstep and marked the moment I lost my faith and interest in the band almost completely.

Two years later, Linkin Park released their fifth studio album, named fittingly Living Things, as if they wanted to assure everyone they still exist. And I gotta admit, it came out as a rather pleasant surprise.

First of all, this is their rawest album since Meteora. Once again, the band isn't afraid to let the anger out and show us Chester Bennington's screaming capabilities. He's still got it. As a result, any song from Living Things has more energy than all the tracks from A Thousand Suns combined.

On the other hand, this record isn't the sound of progress. Rather, it's a consolidation of forces. The band took all the ingrediences that paid them off in the past, big guitar riffs, catchy choruses, rap and their newly found electronic self, added them into one mix and voilà, it works pretty well together. However, if you wanna find something even remotely new and unheard, look elsewhere.

Nonetheless, this is a solid record, which, I'm pretty sure, will appeal to most of their old fans. And if that was the goal, then LP succeeded quite well. I must say I didn't expect I would enjoy Living Things so much. I can totally see the appeal to my fifteen-year-old self. Although the days of Hybrid Theory and Meteora are long gone, Linkin Park's latest effort does quite a good job of bringing back the memories.

Best tracks: Lost in the Echo, I'll Be Gone, Castle of Glass

Introducing: Sound of Guns

First and foremost, let me be the first to say I think this is an awful band name. Now that that's past us, let's talk music. It's hard to put a genre on this band. The bands debut, Angels and Enemies, covers everything from brit pop to rock to indie. When I first heard the new single, "Sometimes", I got a vibe of Cold War Kids mixed with instrumentation of The Midway State. Upon further listen to their most popular tune of date, "Antarctica", I got a strange recall of early The Killers, Glasvegas and Doves. With such a wide reach and a gaining support from the likes of radio1 & friends Funeral For a Friend passing fans to their video to millions, to selling out shows in England at the O2, Mint, and The Cockpit, Sounds of Guns is an up-and-coming band with a lot of vigor and heart, making them a band to watch going forward. 

RIYL: The Midway State, All The Young, Glasvegas, Longview

"Antartica", the bands most popular song to date.

the bands new single, "sometimes"

Japandroids

At first, I wasn't a big fan of Japandroids' sophomore record, but eventually, Celebration Rock won me over. Even though after a few tracks the choruses kinda blend together, I can't but enjoy every single one of its humble 35 minutes. This is a straightforward rock album. So much it even makes you wonder when rock bands forgot to record albums like this. There's no catch, no twist, no synths. Just one anthem after another without ever losing pace.

When you listen to the single below, you'll get a good glimpse of what you can expect from the whole record. Your thoughts?

Runaways

Yes, yes and thousand times yes. The Killers' new single sounds just like it fell out from Sam's Town. Great news considering it's arguably their best album to date. Now, I really can't wait for Battle Born to come out.



There hasn't been a bigger chorus this year. Your thoughts?

Yellowcard's Awakening and Billy Talent's Viking Death March

There's a lyrics video for a brand new Yellowcard song. I'm posting it simply because it sounds that good. Even though I'm not in my pop punk mood at the moment, the song just hits all the right strings in me, taking me back to my high school years.



I always like me some new Yellowcard. Your thoughts?

Also the new Billy Talent song doesn't sound half that bad. They've always been a singles band for me. Surrender or This Suffering are fantastic, but overall, their albums never stood out as a whole. I bet their fourth record will be a similar case. However, the song promises a return to form, hands down.

Survival

Long time, no see...



Official song for London 2012 Olympics by Muse.

79

Last Days of April, the Swedish indie-pop band best known for their early 2000's emo indie albums on Deep Elm Records that have influenced acts like Charlie Simpson & Fightstar, are back with their newest CD, 79, the bands second since reforming in 2008. While the transition made from the early work of Angel Youth and Ascend To The Stars to the newer work on Gooey is still very visible, we get to see some of the old LDAO songwriting on 79, in particular in the tracks "Lily" and "Where We Belong". With a more indie flare, a dash of twang, and with obvious influence from bands like The Weakerthans, Springsteen, and Band of Horses, Last Days of April have officially merged their early 2000's emo influence into a more robust indie influence, reinventing themselves to a new sound and a new fan base. Below is a sampling of three songs off the new CD:

45

Well, it was about time. The Gaslight Anthem's new single has been out for quite some time, but it wasn't until now that they've released a music video for the song too. Here it is. I have no doubts the new record's gonna be fantastic, and that's something I can't say about any other band right now...



The new album, Handwritten, comes out on July 24.

Young The Giant

Over the last year, i've been slowly getting into Young The Giant, the indie alt rock outfit from the OC. If you have yet to check out their debut self-titled album, I suggest you do so. Recently, the band sat in with entertainment & music magazine/website A.V. Club and partook in their series "Undercover", sponsored by Starbucks, which features acts covering songs selected by the site and magazines readers. They compile a list of most voted on songs, and allow the bands, one-by-one, to pick which track they'd like to cover. The song is then performed, the song is crossed off the list, and the band leaves the recording space having penned their signature, comments, and song on the wall. Here is Young the Giants offering of a the early 2000's rap classic, "Ignition (Remix)" originally by R.Kelly, with a indie rock twist to it.




It should also be noted, I am a HUGE fan of alt rock bands/acoustic singer/songwriters covering rap songs. If you are as well, I highly suggest you check out the once-viral video of Mat Weddle covering "Hey Ya" or Goot and his piano cover of "Changes" by 2pac.

Sleeping At Last going 8-bit

Well, there's never enough of Sleeping At Last. The “8-Bits“ EP features 1 song from each of their records, transformed into retro Nintendo-style video game music and you can download it for free. Pretty cool.

Rize of the Fenix

Six years after their sophomore album, the D are finally back. Was it worth the long wait?

Well, of course. There are some absolute gems on the record, like the title track, for example. But as a whole, it isn't quite the stunner fans were hoping for. There are some tracks that came out rather boring and left you wondering if they were treated with the same amount of care as the rest. Furthermore, if it were up to me, I'd leave out the spoken tracks for good. Nevertheless, Gass and Black are still both extremely accomplished musicians and when they unleash the guitar mayhem, it's always one hell of a ride. Besides, any '70s metal band would've been lucky to have "Hollywood Jack" on the mic. And then, there's Dave Grohl. The Foo Fighters' frontman adds a whole new layer to most songs with his drumming skills.



This time around, the band moved from their "Led Zeppelin" roots to a more '80s rock sound, adding some synths here and there, bringing a slight change of style. As always, there's a story that pervades throughout the album. As the title suggests, it follows the band as they reunite, after their last album had bombed, and against all odds and in spite of all the evil critics try to carry on their once disrupted quest for world domination. Needless to say, the lyrics are as hilariously inapropriate/borderline vulgar as ever.

To sum it up, there's still some room for growth and hopefully, the D are yet to release their opus magnum. The Pick of Destiny will have to hold the title of their best record to date a bit longer.

Best tracks: Rize of the Fenix, Deth Starr, Roadie

Strangeland

I'm a little behind schedule with these...

After Perfect Symmetry and the Night Train EP, I honestly didn't have high hopes for Keane's upcoming album. I feared they would go even further in terms of experimentation with synths, other weird sounds and collaborating with rappers such as K'naan. I was afraid they would eventually spiral out of my interest like a broken toy (which, I think, was the case with most of their fans). Fortunately, though, as the lead single suggested, they've put the weird stuff behind them, went back in time and released an album that is much alike their first two.

However, the record mixes certain elements from all their previous albums, which gives it a rich, complex sound. The fast and upbeat songs sound fabulous, the ballads are powerful and there isn't one weak track. As a whole, this is a very cohesive effort, not "going bananas" in a studio.

Strangeland is a welcome return to form. Keane is, once again, the band we used to love, fully understanding what their biggest assets are and acting like Night Train was nothing but a bad dream. Some may consider it a step back, a safe return to the comfort zone, but as I see it, fans couldn't expect an album better than this. It's no coincidence the band scored fifth number one on the UK album chart in a row (the EP counts too), an achievement only surpassed by the Beatles, Led Zeppelin, ABBA and Eminem. Hopefully, this is not the last time. Keane put themselves back on the map and showed they are still a force to be reckoned with. While Strangeland might not be a creative milestone for the band, it gives them an opportunity for a fresh start of sorts.

Best tracks: Silenced By the Night, Sovereign Light Cafe, Neon River

Born and Raised

Remember the time before st. tropez started his journey into the history of '90s and '00s music? There was an album we all talked about and were looking forward to... Yes, the latest John Mayer effort. Here are my thoughts. Don't consider this to be a proper review, though, because I'm no John Mayer expert...

Firstly, I just love the artwork.

Anyways, half a year ago, I wasn't exactly a John Mayer fan. The amount of praise his albums were getting repelled the little hipster in me. Besides, this solo singer/songwriter stuff was never my cup of tea. But then a friend of mine forced me to actually give his albums a shot and I did. Well, I didn't love it, but I liked it enough to give it a few spins and enjoy it for the while. Then suddenly, as the release date of his new album approached, I found myself looking forward to Born & Raised.

It's the folkier sound which I find most appealing about the new album. Many great musicians go folk eventually, and hardly ever there comes anything bad out of it. This isn't the case either. Although it wasn't that big of a change for Mayer as he still stays clearly recognisable and never wanders outside his own niche...



...with a notable exception, of course. The song Walt Grace's Submarine Test, January 1967, as st. tropez already mentioned, isn't like anything we ever heard from Mayer. So let's give the man some credit for that. It's a fantastic song. If only he did something like that more often, because it shows everything I miss in the rest of Mayer's music. If only I knew how to put it in words... Stronger melodies? More passion? Probably. Nevertheless, when Mayer hits the strings, you know it's always worth the time. In the end, this is an all-around great record and the folkier sound shouldn't put anybody off.

Best tracks: Queen of California, Shadow Days, Walt Grace's Submarine Test, January 1967

100 influential albums 20-1

We've made it to the end. It's been a fun week, sharing my most influential albums  with you all and hearing your thoughts/reactions to them. My boss, on the other hand, probably doesn't like the 30 minutes I take out daily this week to post all of these. Luckily for him, I wrote this up last night and just have to push submit, so I gave him back 28 extra minutes of the work day, which i'll inevitably tack on to my lunch hour for good measure. And yes, I know you all are thinking it... st. tropez does have a 8-5 day job at a desk with a big fancy window. I wear ties to work sometimes too. Anyway, without further adieu, here are the top 20 influential CDs on my life up to this point. Maybe in 10 years, when we're all getting old(er) and still listening to hip new music, i'll revisit this list and give it the 'ol update.

20. Dishwalla "Opaline"

I was always a casual dishwalla fan ever since the days of the one-hit wonder, "counting blue cars". Well, from 1996-2002, I did very little to advance my liking of the band, until they released the wonderful 'Opaline'. I always remembered their early stuff being pretty raw, borderline rock borderline alternative. I was in high school, and was caught in-between a fascination of new rock bands like Trapt and TRUSTcompany, and Dishwalla singlehandedly brought my back to my 90's alternative style with this release. It was fresh, it was different, and it was chilled out. "Somewhere in the Middle" had very mild radio success, but it was the emotional songs like "Every Little Thing", "Home", and "Candleburn" that captured me. And years later, after digging it out of the archive, I rediscovered gems I use to skip over, like "Nashville Skyline" and "Mad Life". 10 years later, it is still I CD I spin and can find a lasting freshness with. 

19. Augustana "All the Stars and Boulevards"

Surprisingly, it was not due to "Boston" that I discovered this song. It was actually the title track. I loved it. I was a freshman in college, and I remember listening to this song on a road trip with my roommate and two other girls. While there wasn't any romance between any of us, I saw right away that this CD was special. As we drove the long and winding country roads of Missouri one night to reach our destination, this CD was our listen of choice. The girls instantly fell in love, had me burn them CDs, and this band kind of became "our" band for our friendship over the years. A year later, once my girlfriend graduated high school in Oklahoma and joined us in Missouri for college, her and I, along with the two girls, took a road trip to Arkansas one weekend to see Augustana and Goo Goo Dolls, and I just remember how fun that experience was. And I remember watching the connection everyone, including me, had made with this band. Everything released since, I always contact those people, my now-ex, and the two girls, and we discuss our thoughts. Nostalgia often times lends itself to impact your mood, your likes and wants. And the nostalgia attached to this album does just that.

18. The New Frontiers "Mending"

It really took me awhile to fully understand this disc. It was strange. Alternative country was the genre they chose to go with back in 06 when they launched, and in 08, after two EPs, they finally released 'Mending'. Shortly after the release and a small tour in support of This Will Destroy You, the band called it quits. They went their own ways, some members joining another Texas band called The Rocketboys, and others kind of did their own thing. I credit this CD with really getting me into folk. You say, "well, Alt Country isn't really folk..." and I agree, but in 2008 and my adult alternative induced state of mind, this CD ushered me into liking what would come in 2010 with the folk explosion in the music scene with the likes of Mumford & Sons, Bon Iver, and others. That bit of twang, the sound of the acoustics, and the laid back approach mixed with a Copeland/Alive In Wild Paint feel ushered me into what I listen to now. That and "Walking On Stones" is still one of my all time favorite songs.

100 influential albums 100-21

Recently, I sat down on a rainy Saturday afternoon looking for something to do outside of work, drinking a cold carlsberg and watching Cast Away. I began to look back at my 25 years of living. I looked at what I was currently listening too, being the resident indie/unknown band/90s styled adult alternative guru of this site, I wanted to revisit my youth and discover where my love for these styles come from. Through the haze of poor memory, of childhood stupidity, and through the four carlsbergs I cracked back during this process, I tried my best to encompass my musical journey and upbringing in 100 discs that, to this point in my life, have impacted not only who I am as a person, but the direction of my musical taste. After pitching the idea to Memphis, he encouraged me to post it on here for all to read and reflect on. I agreed.

So, for the next five days, I will be posting, in chunks of twenty, the 100 most influential albums in my life. Understand, please, this is not my take on the 100 best albums ever, or the 100 most influential albums in the world ever. This is strictly albums that have impacted me. I'm sure there will be surprises for everyone, bands you wouldn't imagine from me, and surely the typical disc you've never even heard of. I will not comment on the discs directly until I hit the final twenty, aside from a small snippet about the entire cluster, but if anyone wants to ask why on a certain disc, please do so in the comments, and i'll tell you my connection with it. So, here we go, time to learn about st. tropez and where my musical influence comes from.

The first 20 are pretty random. Things from rap to 90s pop and alternative. This section really encompasses me to the upmost. It has stuff that my parents introduced me to, to stuff from my childhood, to high school, and even a few modern day releases.

100. Will Smith "Big Willie Style"
99. The Rolling Stones "Forty Licks"
98. Blessid Union of Souls "Walking Off the Buzz"
97. Steel Train "Twilight Tales from the Prairies of the Sun"
96. Gym Class Heroes "The Papercut Chronicles"
95. Prime STH "Underneath The Surface"
94. Silverchair "Neon Ballroom"
93. This Will Destroy You "Young Mountain"
92. The Killers "Hot Fuss"
91. New Found Glory "Self-Titled"
90. Dr. Dre "Chronic 2001"
89. Sublime "Self-Titled"
88. Counting Crows "This Desert Life"
87. Smashing Pumpkins "Mellon Collie and the infinite Sadness"
86. Lucky Boys Confusion "Throwing The Game"
85. Ryan Adams "Love is Hell"
84. Savage Garden "Self-Titled"
83. Parachute "Losing Sleep"
82. SR-71 "Now You See Inside"
81. Peter Bradley Adams "Leavetaking"
80. Red Hot Chili Peppers "Californication"


The second set of twenty-ish, 79-60, really draws a lot from my high school years with a lot of punk rock and pop punk, along with the lone radio-friendly crap rock of the late 90's-early 00's.


79. Limp Bizkit "Chocolate Starfish and the Hot Dog Flavored Water"
78. The Jealous Sound "Kill Them With Kindness"
77. Sugar Ray "14:59"
76. Lydia "Illuminate"
75. Nine Days "The Madding Crowd"
74. The Midway State "Holes"
73. Mat Kearney "Bullet"
72. Mae "Destination: Beautiful"
71. Sugarcult "Start Static"
70. Mumford & Sons " Sigh No More"
69. July For Kings "Swim"
68. Stone Temple Pilots "Thank You"
67. Better Than Ezra "Closer"
66. The All-American Rejects "Self-Titled"
65. Paper Route "Absence"
64. Tonic "Lemon Parade"
63. Oasis "What's The Story (Morning Glory)"
62. Thursday "Full Collapse"
61. Kimone "The Mill"
60. Radiohead "Kid A"


Halfway there. 59-40 provides the pivotal turning point in my musical exploration. Influence is as vast as you'll see in the list on these twentyish discs, from christian to rock, brit rock to rock, rap to classic rock/oldies, and punk/emo to unknown. This is truly the epitome of the list, and the widest array on the list.


59. Minus The Bear "Highly Refined Pirates"
58. Switchfoot "The Beautiful Letdown"
57. This Is Me Smiling "Self-Titled"
56. We The Kings "Self-Titled"
55. There Will Be Fireworks "Self-Titled"
54. Puff Daddy and the Family "No Way Out"
53. Kings of Leon "Only By The Night"
52. Dashboard Confessional "The Places You've Come to Fear the Most"
51. Vertical Horizon "Everything You Want"
50. Snow Patrol "Final Straw"
49. Matchbox Twenty "Yourself or Someone Like You"
48. Blink-182 "Take Off Your Pants and Jacket"
47. The Juliana Theory "Emotion is Dead"
46. Death Cab for Cutie "Transatlanticism"
45. Jimi Hendrix "Experience Hendrix"
44. Foo Fighters "The Colour and Shape"
43. Linkin Park "Hybrid Theory"
42. The Spill Canvas "Sunsets & Car Crashes"
41. Jackson Browne "Solo Acoustic"
40. Lifehouse "No Name Face"


The final set of songs before we hit the top 20. As we creep closer to the top, it's fairly evident that these discs hold a lot of meaning to me. Just to name a few, Aerosmith's "Young Lust", albeit a greatest hits album, really got me into the back catalog of the band and formed an unhealthy obsession with songs like "Dream On", "Girls of Summer", "Sweet Emotion" and "Jaded". Kanye's '808...' was the CD I spun constantly while living in London, and Springsteen's 'The River' was one of my dads favorite records and one I grew up with. Jars of Clay was the first CD I ever owned that wasn't a jock jams mash up, and P.O.S. caught my attention on 'Audition', but redefined what hip-hop was to me on 'Never Better', as Frank Ocean did with R&B. Name Taken was a CD I bought on a whim, but after months of spinning it, realized it was something special and still something I spin regularly today. As for JEW, I couldn't really decide on what disc impacted me more, because both did at different times in my life. Flickerstick was the best live show I saw growing up in middle school until I saw Elton John, and has since been passed by numerous other shows, but it's still a band (winner of VH1's Bands on the Run) that I hold close to my childhood.
20-1 I will comment on each disc and it's importance to me, and will feature in an entirely separate post. Looking forward to hearing your thoughts, and to revealing my top 20 most impactful albums on my life to this point tomorrow.


39. Acceptance "Phantoms"
38. Justin Kings and the Apologies "Self-Titled"
37. Aerosmith "Young Lust"
36. Incubus "Morning View"
35. Kanye West "808's and Heartbreaks"
34. Trapt "Self-Titled"
33. Bruce Springsteen "The River"
32. Jars of Clay "Self-Titled"
31. City & Colour "Sometimes"
30. Feeder "Pushing The Senses"
29. P.O.S. "Never Better"
28. Last Days of April "Angel Youth"
27. Frank Ocean "Nostalgia, Ultra"
26. Eve 6 "It's All In Your Head"
25. Name Taken "Hold On"
24. MuteMath "Self-Titled"
23. Jimmy Eat World "Clarity / Futures"
22. Emerson Hart "Cigarettes & Gasoline"
21. Flickerstick "Welcoming Home the Astronauts"