Fake Your Death

One more post today. My Chemical Romance released their greatest hits compilation, May Death Never Stop You, earlier this week. This is the first track on the album. It was one of the last songs the band recorded together, presumably some time in 2012. Last week, it had been a year since My Chem called it quits and, I hope I won't sound overly melodramatic, left a void that cannot be filled. Fake Your Death is their eulogy.

Albums of the year 2013, part II

Let's move on to the second and final part of this list.

#10 AM
Arctic Monkeys

Long gone are the southern-ish experiments of Humbug, Arctic Monkeys are now striving to become everyone's favourite rock'n'roll band. While Suck It And See saw the band stranded somewhere in between, AM seems to be the album to get them all the way there. I have to admit this is the most enjoyable Monkeys' record in a while, and Knee Socks is one of the most fun tracks of the year.

#9 Trouble Will Find Me
The National

You should already know what to expect from The National come their sixth studio album, and you should also know they will take your breath away regardless of what you expect. Trouble Will Find Me is deeply atmospheric, painfully beautiful and seductive, expanding upon their past efforts in every way.

#8 Waking On a Pretty Daze
Kurt Ville

The feel-good album of the year. The semi-title track almost hits the ten minute mark, but don't let it discourage you, it's an absolute joy all the way through. Luckily enough, the rest of the record doesn't fall behind, and the word "mellow" gets a whole new meaning in its context.

#7 Damage
Jimmy Eat World

Constantly releasing good albums is a nice habit. And no one does it better than Jim Adkins & Co., bringing joy to all the emo souls out there for a good two decades. Saying that this was the most anticipated release of 2013 for me would be an understatement, but Jimmy Eat World proved times and times again they have little difficulty living up to the challenge. Damage is sort of a return to roots for the band, who tossed away the glitz of modern day studio production and took a surprisingly raw approach. The result is an album that could go down in history as one of their career highlights. Just wait till you see those songs played live.

#6 Opposites
Biffy Clyro

If Biffy wanted to step up from their previous effort, Only Revolution, releasing a double album was the only logical way. It was a bold move, but it proved to be the right one. Bigger in every sense, Opposites keeps rushing forward, never losing itself in meaningless self-indulgence, making up for those four years without any new material. Oh, and the songs make for a killer live show, too. Overall, Biffy Clyro are easily one of the best rock bands in the world today. (My review)

#5  Reflektor
Arcade Fire

Released to huge expectations by the end of October, Reflektor still leaves me puzzled two months later. It is perhaps due to the dancier nature that I haven't been able to connect with it on the same level as with the more guitar-driven Suburbs three years ago. However, it's definitely a grower, and it has its stellar moments, especially in the second half, that can compare with the band's most glorious achievements (Hey Orpheus, Afterlife).

#4 Rewind the Film
Manic Street Preachers

They may get older, but their music doesn't, and it certainly doesn't lose its punch, even in its mellow and quiet form. Or is it just a calm before the storm? (My review)

#3  Heartthrob
Tegan and Sara

In January, Tegan and Sara released their first full-on pop record, but to this day, many people still haven't come to terms with the change of style. Personally, I couldn't get enough of it. I was saying it then and I'm still saying it, this is the best album the twins have ever made.

#2 Bloodsports
Suede

Suede, one of those bands I always knew I should check out but never really got to it, until their first album in eleven years offered an opportunity I couldn't pass. I'm always eager for some good britpop, and, well, it doesn't get much better than this. It's the first three tracks that really shine, but fortunately, the rest of the album doesn't lag far behind. Suede manage to sell it with confidence, elagance and energy that bands half their age could envy.

#1 Random Access Memories
Daft Punk

Ever since RAM was released, I kinda knew it would end up seizing the top spot. For me, this album will probably symbolize "the perfect record" in the years to come. Perfected to the point of near absurdity, encompassing four decades of popular music while also looking forward, overflowing with ideas and compelling details, this is the closest albums come to being timeless. Get Lucky might be one of the biggest singles of the year, but the greatest accomplishment of RAM lies in utilizing the album format to its full potential, in a contrast to the single-oriented music world. It may seem cold on surface, but there's a warm, beating heart underneath. (My review)

Honorary mention: Conventional Weapons
My Chemical Romance

Though not a proper album, it's a rewarding parting gift and the last goodbye from a band that used to mean a great deal to me. (My lament)

Conventional break-up

It's always sad to see a band go, but it's all the more saddening when it happens to one of your all time favourite acts. My Chemical Romance were never really the "cool" band to listen to, but I did nonetheless, because besides their emo tag and the Kerrang-band stigma, which never did them justice, there was a huge amount of talent and passion to back up the crazy outfits and layers of make-up. My Chem were always the take-it-or-leave-it type of band, and I'm glad I stumbled upon them at the perfect time, after the release of The Black Parade, which then went on to become one of the most influential albums in my life.

I wasn't that much into them the whole time, though. During the long gap that preceded the release of Danger Days, there was a period of time when I thought I had outgrown that kind of music. Thankfully, their Fabulous Killjoys persona and the post-apocalyptic concept completely reinvigorated my enthusiasm. Two years later, My Chem released what had been supposed to fill that gap, and everything fell into place. Most importantly, fans finally had their Conventional Weapons. But what they didn't know at the time, the "new" album was to become a swan song for the band...

According to one of the interviews I vaguely recall from the pre-Danger Days era, Gerard Way & Co. wanted to become a proper rock band. Their uncompromising take on Dylan's classic, Desolation Row, from The Watchmen soundtrack offered a good glimpse at what they had in mind. And really, the first two electrifying tracks of Weapons were very much in the vein of the aforementioned cover. Because above all, the album is pure rock'n'roll. Intense, raging anthems, powerful ballads and black leather jackets. This would have been a fantastic record.

Nevertheless, when compared to Danger Days, it becomes obvious this wasn't the band's true self. They always had to go all Freddie Mercury on everything. The hyperbole and theatrics were an essential part of their catalogue, but never a cheap gimmick. Within the scene and beyond, only they had the guts to go all the way, and enough drive and vision not to stumble in the middle. When all is said and done, this is reason why they'll be missed.

During their twelve-year-long career, they didn't make a bad record. Sure, Bullets was a bit rushed and immature, but still managed to become a landmark album for the genre and a personal favourite of numerous people. That said, My Chemical Romance were only getting better and more interesting with everything they released ever since.

The break-up came out of nowhere. Sessions for the next album were reportedly going great and it was supposed to see the light of day later this year. However, when you read Gerard Way's perspective, it all actually makes perfect sense. One can only admire a band able to step out of the bussiness while they're still at the top. For me, the only possible news worse than this would be if Jimmy Eat World called it quits. Sure, there's always hope. Perhaps, it is all just one big elaborate hoax with the sole purpose of getting out of a label contract, but honestly, I think it sounds too good to be true. I only know one thing. I'll be spinning their albums all week and then maybe some more. And because I could never write something that good myself, I'll leave you with this one last article.

Conventional Weapons

Well, for any fan of My Chemical Romance it shouldn't come as a surprise, that after The Black Parade and before recording Danger Days, the band had made and subsequently scrapped a whole another album. Only a few songs from that album eventually made their way on Danger Days, while the rest stayed locked in the drawer. Fans, such as myself, have long been anxiously waiting to hear them one day. And that day has finally come...

The original letter from the band's guitarist, Frank Iero, describing the circumstances upon which the album was ditched can be read here. In the following five months, the band will release two songs each month and I honestly can't wait to hear the rest.

The two songs released so far are in the vein of My Chem's cover of Dylan's Desolation Row for the Watchmen soundtrack. It's pretty much straightforward rock'n'roll and I can't help but to enjoy it. As for this day, I just hope My Chem are far from over and keep releasing great albums. They never fail to blow me away.

Influential albums

This was actually one of the ideas I had on my mind when I was writing the first paragraph of the Nada Surf review back in January. I was planning to do this as a part of the "older albums revisited" section but it was st. tropez who finally forced me to get down to it. It took me three months...

I got into music much, much later than most of you. It wasn't until I discovered the secret of downloading. Yes, big surprise, I'm a pirate. Therefore almost all the albums mentioned here will be from the noughties. I may not listen to many of them anymore, but these records had a tremendous impact on my life and I'll always have a soft spot for them. Let's start with 21 albums that didn't make the final cut. I'm pretty sure I'll revisit them one day too.

AFI Sing the Sorrow
Arcade Fire The Suburbs
Ash Meltdown
Avenged Sevenfold City of Evil
Biffy Clyro Only Revolutions
Blink 182 Enema of the State
The Cure Disintegration
Fightstar Be Human
The Gaslight Anthem The '59 Sound
Idlewild Broken Promises
Journey Escape
The Killers Sam's Town
Lostprophets Liberation Transmission
Muse Black Holes And Revelations
Oasis What's the Story Morning Glory?
Rise Against The Sufferer & the Witness
Saosin Saosin
Silversun Pickups Swoon
Snow Patrol Eyes Open
Story of the Year Page Avenue
Taking Back Sunday Louder Now
Travis The Boy With No Name

The Beatles Help!

I think it's safe to say, that the Beatles have been with me all my life. I digged all of their songs when I heard them on the radio. But it wasn't until the 2009 remaster, which offered a great opportunity, that I checked their whole catalogue out and discovered there's a lot more to love than just the notoriously known singles. I could easily choose any Beatles' album, but I chose Help!, because the first track of the same name was literally the very first song ever to gain the title "my favourite song". Although, I was in elementary school and probably didn't even know any other band at that time. But that's not the point. I love the Beatles, period.

Sing (Director's Cut)

Many people say that it's the most bland and boring song on the latest album. Well, not for me, because I obviously love it. My Chemical Romance have recently released director's cut of its music video. You can watch it below...

Albums of the Year, part II

To see the first part, click here.

#8 Postcards from a Young Man

Manic Street Preachers

The last year saw the Manics dealing with past on an album that also may be considered a comeback. Behind Postcards is a completely different story. Prior to the release, the band had announced this would be their last shot at mass communication, which is why it's a pop album to the core, aimed at the widest audience. But that doesn't matter since it's nothing short of powerful rock anthems and guitar solos. I didn't use to be a huge Manics' fan but Postcards changed that in an instant.

Best tracks: (It's Not War) Just The End Of Love, A Billion Balconies Facing the Sun, Don't Be Evil

#7 Interpol

Interpol

Another album I had been impatiently waiting for and still, I was surprised after I gave it the very first spin. It wouldn't be hard to doom Interpol's latest effort. The songs are seemingly heading nowhere as if the band were lost in their own world. Paul Banks' voice may sound distant and bored. But things are not so simple this time around. The album is a grower. All the band's trademarks are still present here and it's their most consistent work to date. It certainly stands as an important milestone in their career, and not just because the bassist Carlos D left after completion.

Best tracks: Success, Barricade, Always Malaise (The Man I Am)

#6 Congratulations

MGMT

Oracular Spectacular had some great singles. On the contrary, MGMT's sophomore album lacks them altogether. But that doesn't necessarily mean it's worse. In this case, it means the exact opposite. I'm an album listener, I like to play them from beginning to the end and hardly ever skip any tracks. Congratulations is just the sort of record, that aims at listeners like myself. It's forty-four minutes long, coherent body of work that flows smoothly towards the end, which comes just when you realise you want to hear more.

Best tracks: Flash Delirium, Siberian Breaks, Congratulations

#5 The Betrayed

Lostprophets

My first highly anticipated album of the year. A long story, spanning over three years, preceded the release, which was delayed numerous times due to problems with labels and producers. That being said, Lostprophets without wavering lived up to my expectations. The Betrayed is a rare case of a record, where a band succeeds at combining elements of all its previous efforts while accomplishing to sound renewed and different. This time, it's angrier, heavier, darker and with their best song since Last Train Home (Where We Belong).

Best tracks: Where We Belong, For He's a Jolly Good Felon, Sunshine

#4 American Slang

The Gaslight Anthem

It certainly wasn't easy living up to everyone's expectations after The '59 Sound. Fortunately, The Gaslight Anthem proved their previous effort didn't happen by chance and were able to create arguably even a better album. Every time I listen to American Slang, I have to admire the flawless production and Brian Fallon's heartfelt lyrics and singing. When it comes to incorporating past influences and inspiration and blending punk with 1960's rock n' roll while sounding utterly present and relevant, The Gaslight Anthem have no equals.

Best tracks: Stay Lucky, Boxer, The Spirit of Jazz

#3 High Violet

The National

There really isn't much to say about High Violet, except that it's damn good. In the competition for the best indie album of the year, it came close second. It's a typical grower. Initially, the songs hardly ever caught my attention as they're rather slow and seem to never take off. But once I gradually began to immerse into the captivating tunes and Matt Berninger's voice, I realised there's a lot going on underneath. High Violet is a very personal record, as well as it's mature. Plus, it features my favourite cover art of the year.

Best tracks: Anyone's Ghost, Bloodbuzz Ohio, Conversation 16

#2 Danger Days: The True Lives of the Fabulous Killjoys

My Chemical Romance

It had been four long years of waiting for the band to release a follow-up to the highly ambitious Black Parade. After a long touring, contribution to the Watchmen soundtrack, scrapping of a completed album and yet another radical change of image (and haircuts), Danger Days finally arrived.

Because of the long wait, I wasn't sure if I cared about the band anymore. But then the trailer campaign struck and My Chem released the first single, Na Na Na (Na Na Na Na Na Na Na Na Na), and I was again on board with them. Danger Days sounds like a band having more fun than ever. From the tight production to Gerard Way's affective singing, the album sounds both typical MCR and completely different from what we used to hear from these guys. It's one hell of a ride and easily the best rock n' roll album of the year.

Best tracks: Na Na Na (Na Na Na Na Na Na Na Na Na), Bulletproof Heart, Summertime

#1 The Suburbs

Arcade Fire

To be honest, I was mildly disappointed when I first heard The Suburbs back in the summer. At that time, it didn't seem to be a worthy follow-up to Funeral or Neon Bible. Fortunately, it grew on me like any other album, surpassing everything that's been released this year. Although, it's a concept album, where everything is heading towards the monumental peak on the closing track Sprawl II, each song works just as good on its own, mixing musical ambition with mainstream accessibility. The Suburbs may be the most epic effort of Arcade Fire's career, compelling, enthralling and gripping.

Best tracks: City With No Children, We Used to Wait, Sprawl II (Mountains Beyond Mountains)

Sing

I'm loving MCR's advertising campaign for the new album set in a post-apocalyptic world. They've just released another trailer for a new song, called Sing, and yet again it sounds completely different from what we were used to hear from these guys.



Listen to the whole song here:

On an unrelated topic, Good Charlotte's new album Cardiology can be considered a return to form, since it contains a bunch of pretty solid tracks. If you want to know what is the story behind all of them, look here.

"Na Na Na Na Na"

My Chemical Romance are currently finishing new record, possibly scheduled for a November release and you can now see the first trailer. The album's gonna be called Danger Days: The True Lives of the Fabulous Killjoys and the tracklisting hasn't been revealed yet. However, the song you can hear is clearly the album opener "Na Na Na Na Na" (or something like that). It's weird, addictive and quite awesome.




Official website