Christopher Owens: Lysandre

First of all, I have to confess that I didn't know Christopher Owens nor was I familiar with his band Girls before the release of his debut solo album. I had little to no idea what to expect and the only thing that made me listen to it was the reviews on pretty much every musical website I follow. It appeared to me that the man must be quite an important and interesting figure to the indie scene.

Well, I soon learned that Girls had released two well-regarded full-lengths and one extended play which gained them considerable fan following. Thus, it was obvious that it would be rather difficult for Owens to step out of his former band's shadow. I'll leave up the question, whether he did or not, to more eligible people, but I certainly won't try to hide my enthusiasm for this particular record...

With its running time of meagre 29 minutes, Lysandre might be the shortest concept album I've ever encountered. And it's a fun ride from start to finish. Consisting of eleven tracks, it is rather fast-paced, deeply emotional, uplifting, quite refreshing and also heavy on flute. It is, surprisingly, about a girl, and, as Owens himself put it, "a coming of age story, a road trip story, a love story", which pretty much says it all.

The record is tied together by the beautiful Lysandre's theme, which appears in various arrangements in most of the songs, and gets me every single time. With his newly acquired freedom, Owens is keen to experiment with all kinds of instruments, although he never really wanders outside the indie pop/folk territory. And it's also immediately clear, that, like with Girls, Owens stays true to the aesthetics of the 1950s, 60s and 70s.

Lysandre is, without a doubt, one of the pleasant highlights of the beginning of the year and it shouldn't go unnoticed by any avid indie pop listener.

Best tracks: Here We Go, Love is in the Ear of the Listener, Part of Me